Arts for Education @ House of Vans

Blue Dot Generation presents ‘The Arts for Education’ at House of Vans. A 4-day immersive event of art, photography, performances, documentaries, panel discussions, sport, fashion, workshops and music, aimed at educating us all on the damage we are doing to the oceans.

About

This event is an opportunity for old, young, green and non-green audiences to engage and  and their own connection to the planet through creative education. BDG is a sustainability platform promoting the use of the arts for education. By engaging local communities and inspiring international audiences it will transform the relationship between humans and the blue planet. Blue Dot Generation brings together artists, scientists and entrepreneurs who are exploring solutions to the problems our planet is facing. Science and art are both human efforts to understand, explore and describe the world around us, to communicate and share a vision of the world in different ways. Blue Dot Generation aims to harness these powers to educate and engage communities and inspire a change in how we treat the planet.

Our venue, House of Vans, is where “Of  the Wall” lives. It’s a place where imagination lets loose over concrete bowls, art installations, workshops and concert stages, inspiring every person who runs, rolls, or stomps through its door. Located in Chicago, Illinois and Waterloo, London, as well as pop-ups around the world, House of Vans is home to the creativity that moves us.
In the vaults under London’s busiest station, Blue Dot Generation will bring the ocean to the city. Driven by their passion to make a difference, Blue Dot will change people’s habits by helping them visualise the seriousness of the challenges all living things are facing. Although London is far from the sea, this immersive event will transform the relationship between humans and the oceans.

See ArtRabbit for more info

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MFA @ CHELSEA COLLEGE OF ART LONDON

I'm pleased to announce that i have been accepted onto the Fine Art Masters at Chelsea College of Art starting in October 2018. This has been a long term goal for myself to finally afford the space, time and money and shear genius to be accepted on such a prestigious course.  I have spent the greater part of my  Artistic career living in London but after being rejected by the Royal College of Arts in around 2007, I almost gave up hope of ever being able to progress to such an institution. Now I will gracefully join the ranks of Artist's including David Hockney, Richard Deakon, Patrick Caulfield, Elazabeth Fink, Anthony Caro, Franko B, Anish Kapoor, Helen Chadwick, Rebbeca Warren, Gillian Wearing and of course Dirk Bogard ! Name dropping aside the chance to study and work with a new generation of Artists and my contemporaries next to Tate Britain and further develop and expand my practice to a wider audience will be a life changing and challenging year ! I can't wait ! 

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BLUE DOT GENERATION @ HOUSE OF VANS, LONDON

Im pleased to say my work " Suffocating Oceans" will be exhibited as a part of the Charity " Blue dot generation at The House of Vans in London. Please see below for more details... 

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YOU CAN NOW BUY ME !

Thanks to the lovely paparazzi ...........

I was photographed outside the annual Terrence Higgins Trust auction at Christies in London where " IAM NOT AN ABOMINATION" AND " OUR INJURIES" Were on exhibition for this hugely worthy chairity. The kind people at Getty Images have purchased the rights to this image and you can now purchase it for as little as £495! Please see the link for purchases or click HERE

paul chisholm artist

 

 

 

Source: https://www.gettyimages.co.uk/detail/news-...

Chapter 1 Exhibition @ The old Biscuit Factory

The Chapter 1 Exhibition @ The Old Biscuit Factory curated by Artnumber 23 was a finely crafted exhibition Below is a link to the exhibition catalogue and an installation shot of "  The Earth has a way of preserving itself " 

 EXHBITION CATALOGUE: LINK       https://issuu.com/artnumber23/docs/artnumber23_cat._1.0

Image credit: Silvia Braida. 

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Viral Load THT AUCTION @ Christies, London 2017

Im pleased to anounce my work is up for grabs in aid of the Terrence Higgins Trust !

To buy tickets please see : http://www.tht.org.uk/get-involved/Special-events

To view the online Auction book : https://www.tht.org.uk/~/media/Files/Auction/Auction%202017.pdf

To Bid on My art : https://www.tht.org.uk/get-involved/Special-events/The-Auction/Online-auction-lots/Paul-Chisholm

 

THT is a charity i will forver be in debt to without them at the end of the phone i may well have jumped of a cold dark mountain in Switzerland... the work they do saves peoples lives ! 

Everyday Exhibition, New York 2016

Curated by Jean Carlomusto, Alexandra Juhasz and Hugh Ryan, "Everyday" explores the AIDS crisis (historically and currently) through the lens of art and ephemera that looks at and evidences daily experiences & practices in response to HIV/AIDS.

November 17 - December 10, 2016

Opening Reception: Thursday, November 17, 6–9 PM   

Curator & Artist Talk: Wednesday, December 7, 6-8

Gallery Hours: Wednesday-Sunday: 1pm – 7:00pm

 

The exhibition includes artwork and ephemera by Babycastles, Anne Balsamo, Barton Lidice Beneš, Jean Carlomusto, Curtis CarmanPaul Chisholm, Ian Clyde, darkroom danny, T De Long, Chloe Dzubilo, Delphine Fawundu-Buford, fierce pussy, Avram Finkelstein, Peggy Frank, Fuck Laws Flash Collective, Gay Men's Health Crisis, Carl GeorgeFelix Gonzalez-TorresJohn HanningEva Hayward, Edward Hochschild, Mark S. King, Kia Labeija, Carol Leigh, Nancer LemoinsGin Fong Louie, Dale MacDonald, Joyce McDonald, Juanita Mohammed, Ray NavarroLuna Luis OrtizGrahame Perry, Poster Virus, LJ Roberts, Randy Freedomclay Rogers, Fábian Rios Rubino, Ivan Safrin, Dudley Saunders, Loren Schmidt, James SimmondsMichael Slocum, Southern Living AIDS Quilt, Zara Steadman, Hugh Steers, Nelson Sullivan, Justin B. Terry-Smith, Prashast Thapan, The NAMES Project, James Wentzy, Frederick WestonJessica Whitbread, Jon Winet, Albert Winn and Tanya Wischerath.  

Curatorial Statement: "AIDS is an everyday experience. By this, we mean it is both common and ongoing; quotidian and unending. Yet its history – like all history – is being written in Boldfaced Names and Significant Dates, especially those from the near past. Like the moon that eclipses the sun because it is closer to our frame of reference, the enormity of that moment of the AIDS crisis threatens to blind us to both the sprawling present and the unknowable future. Moreover, the significance of this artist or that day is always less than the significance of the cumulative reality of life in the time of AIDS.  

In EVERYDAY, we bring together work that engages with the “now” of AIDS, both historically and currently. Some of the work uses the materials of AIDS, from pills to pamphlets, while other pieces chronicle daily responses, from protest to prayer. Much of the work speaks in the vernacular of its own moment, whether that be wheatpaste, VHS, or an app. Some of it is made by professional artists whose gift is to speak of and to the world around them, while other pieces were made by intuitive creators who were driven to respond to the crisis as one mode of survival – the same spirit that drove us to make this exhibition.  

Someday we will have a cure, and the infrastructure and political will to get it to everyone who needs it. But until then, AIDS is EVERYDAY."  

The exhibition is made possible through the generous support of The Shelley and Donald Rubin Foundation. Public events are supported by Humanities New York.

A special Everyday 2017 Calendar was created for the exhibition and will be available online and at the gallery after December 7, 2016